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Feb. 11th, 2012

RESEARCH

Some writers love research. Anne Rice has been quoted as saying that she is always researching history and ancient cultures and myths, and instead of researching ideas, often her ideas come from her constant research.

I am not such a writer. I recognize that research is a necessary part of the writing process, it is important for authenticity, and fiction that lacks authenticity is not successful fiction. But I don’t love research, I often find it tedious and a bit dull. In this modern world, a lot of research can be done online, which simplifies things, but not all online information can be trusted, meaning sometimes you have to research your research.

My new novel THE QUARRY required a decent amount of research. Mainly because it took place at a real location, Limestone College, and in particular the beautiful but potentially dangerous lake on campus. I wanted to get the facts straight in order to enhance the fiction.

But there was a bit of Anne Rice in the whole situation. When I started my research I didn’t have a real idea in mind for what become THE QUARRY. I just knew there was a lot of rich history that surrounded Limestone, and in particularly Lake Limestone, known locally as The Quarry. I thought I could mine that history for a pretty interesting story.

But what I quickly started to discover that was a lot of what I had always thought was history was actually urban legend. However, the information I found was sketchy, which meant more and deeper research was required.

So I dove in headfirst, and spent almost an entire week doing nothing but researching The Quarry…and what I found was that what had once seemed like a chore suddenly was rather thrilling and exciting.

I started my research online, but quickly found there was little to find that way. So I went old school…straight to the library. I scoured through old books of local history, went through old papers dating back to the 50s on microfiche. A lot of what I found only raised more questions, requiring more searching, panning for kernels of information that could give me a true picture of the past. The actual search, the discovery that much of what I had been told over the years was myth, actually started to form a solid idea for THE QUARRY.

In the meantime, I also wanted to find out about life the Limestone campus. I was a student there, but my days as a student were over a decade in the past by this point, and the college had changed a lot since that time. Luckily I have a friend who still works at the school, Pam Wylie. I contacted her, repeatedly during the research process and later the actual writing of the book, and she answered every question she could. She even took me on a little tour of the campus, showing me things that had been updated since my day, just proving to be a wonderful resource. She also pointed me in the direction of a local paper because she remembered them doing a detailed article on The Quarry and its history several years prior.

This paper did not have their backlog on microfiche. I had to go to their offices and go through those oversized bound volumes of old papers. It almost seemed the way one would do research in a movie, and not even a movie made in this decade. But I was really enjoying it. In fact, in the end I used a lot of my experience researching in the book itself, having one of the characters go through a similar search.

It was far from the constant research that Rice does, but I did spend a week of my life—a week I was actually off from work—researching, and I actually loved it. Doesn’t mean that research is my favorite thing, but I no longer look at it as a necessary evil. I see its benefits, and realize that it can be exciting and enjoyable. And I think THE QUARRY is definitely a better book for it.

THE QUARRY can be purchased in trade paperback or ebook here: http://www.amazon.com/Quarry-Mark-Allan-Gunnells/dp/0615598439/ref=ntt_at_ep_dpt_4

Feb. 8th, 2012

CAMPUS HORRORS

I have always had an affinity for horror stories set on college campuses. Call it a sub-genre, but I have often been drawn to movies like Final Exam, The Dorm that Dripped Blood, Black Christmas, House on Sorority Row, and even more modern efforts like the first two Urban Legend films and Scream 2. I also gravitated to horror and mystery novels set on college campuses. Books like Bentley Little’s The University, The Harrowing by Alexandra Sokoloff, The Secret History by Donna Tartt, and Obedience by Will Lavender.

Why do these types of stories appeal to me so much? Until recently I had never given the matter much thought, honestly. I simply liked them, and that was good enough for me. However, when I sat down to write my college campus horror novel The Quarry a couple of years ago, I started to examine just what it was about these kinds of tales that made me such a fan.

And I came to realize that there is something about the atmosphere on a college campus that just lends to itself to stories of horror and mystery. I think there are two main reasons for this. One, college is just kind of scary. It’s a big step in a young person’s life, that first step into adulthood. New environment, new people, greater expectations. And for dorm students, it’s usually the first taste of real freedom out from under their parents’ thumb. Now that can be absolutely thrilling for an 18 year old…but it can also be rather frightening.

The other reason is that a college campus is a very insular world. It’s a part of the larger community, and yet apart from it at the same time. It truly is almost its own little society, a world unto itself. I think that lends college this atmosphere that secrets can be kept there, hidden from the outer world. I think that makes it quite easy to have mysterious and horrific events transpire there.

So considering my love of this particular subgenre—call it Campus Horrors—it was probably inevitable that I’d eventually write one. I had dabbled with short stories set on college campuses before, but with The Quarry I decided to undertake something a little more ambitious. With a novel I could really explore the location, the atmosphere, the characters.

I set the story on a real campus, Limestone College in Gaffney, South Carolina. That is my alma mater, a school I have great love for and know fairly well. Some may say it is an odd way to show my affection for the place by setting a story there where terrible things happen, but that’s just the kind of guy I am.

I tried hard to capture the feeling of a college campus, of the students who attend classes and live there. Not just for authenticity, but because as I said—college is kind of scary and secrets can be hidden there. Did I succeed in creating an effective campus horror novel? Well, I hope so, but ultimately it will be up to the readers.

The Quarry is available in both trade paperback and digital formats.
http://www.amazon.com/Quarry-Mark-Allan-Gunnells/dp/0615598439/ref=ntt_at_ep_edition_1_3

Jan. 28th, 2012

Reviews

I've decided to compile a list of all the reviews of my various works. That way if anyone is comtemplating trying my stuff, they can read the reviews and see what others are saying. I'm including all of them, good and bad, so folks can make an informed decision.

ASYLUM (http://www.amazon.com/Asylum-Mark-Allan-Gunnells/dp/0984553568/ref=sr_1_1?ie=UTF8&qid=1327780951&sr=8-1)

http://scifiguysbookreview.blogspot.com/2011/07/asylum-book-review.html
http://thecrowscaw.com/2011/01/15/reviewed-asylum-by-mark-allan-gunnells/
http://skullsaladreviews.blogspot.com/2011/01/asylum-by-mark-allan-gunnells.html
http://michelelee.net/2011/11/02/review-asylum-by-mark-allan-gunnells/
http://thegorescore.com/2012/01/27/g-o-r-e-score-asylum/
http://www.darkscribemagazine.com/reviews/asylum-mark-allan-gunnells.html
http://www.undeadinthehead.com/2011/03/asylum-by-mark-allan-gunnells.html
http://betwixtbookreviews.blogspot.com/2011/01/review-asylum-by-mark-allan-gunnells.html
http://www.fanpop.com/spots/horror-and-bizarro-literature/articles/140312/title/asylum-novella-mark-allan-gunnells
http://www.buyzombie.com/2011/04/22/reviews-of-zombie-related-things/asylum-review/
http://musingsamongstmagnolias.com/2011/04/16/in-my-opinion-asylum-by-mark-allan-gunnells/
http://writerbrandonford.blogspot.com/2011/02/book-review-asylum-by-mark-allan.html
http://reviewsbyamoslassen.com/?p=6158
http://darkdiscoveries.com/blog/2011/02/asylum/
http://simonmccafferyfiction.blogspot.com/2011/01/new-zombie-fiction-from-zombie-feed.html
http://www.goodreads.com/review/show/139111003
http://networkedblogs.com/dUdmn

A LAYMON KIND OF NIGHT (http://www.amazon.com/Laymon-Kind-Night-ebook/dp/B005C1NQV2/ref=sr_1_1_title_1_kin?s=books&ie=UTF8&qid=1327781027&sr=1-1)

http://dreadfultales.com/2011/12/27/a-laymon-kind-of-night-by-mark-allan-gunnells/

TALES FROM THE MIDNIGHT SHIFT (http://sideshowpressonline.com/?page_id=4&category=3&product_id=38)

http://thecrowscaw.com/2011/06/27/tales-from-the-midnight-shift-vol-1-by-mark-allan-gunnells/
http://grantwamack.wordpress.com/2011/08/25/330/
http://writerbrandonford.blogspot.com/2011/10/book-review-tales-from-midnight-shift.html
http://www.goodreads.com/review/show/181682498
http://betwixtbookreviews.blogspot.com/2011/09/review-tales-from-midnight-shift-volume.html
http://thehorrorfictionreview.blogspot.com/2011_11_01_archive.html The review for this one is about fourth down

DARK TREATS (http://sideshowpressonline.com/?page_id=4&category=6&product_id=67)

http://www.horrordrive-in.com/serendipity/index.php?/archives/607-DARK-TREATS-Mark-Allan-Gunnells.html

GHOSTS IN THE ATTIC (http://www.amazon.com/Ghosts-in-the-Attic-ebook/dp/B0059JHU64/ref=sr_1_4?s=books&ie=UTF8&qid=1327781235&sr=1-4)

http://www.goodreads.com/review/show/244913184

LAST MEN ON EARTH (http://www.amazon.com/Last-Men-Earth-ebook/dp/B006NQDE94/ref=sr_1_3?s=books&ie=UTF8&qid=1327781412&sr=1-3)

http://www.goodreads.com/review/show/253491990

Jan. 20th, 2012

Guest Blogger

Fellow writer Kody Boye is taking over my blog for a minute to provide you with the inspiration for his newest work.

The Gay Perspective in Zombie Fiction and Building a Relationship in One Month
Kody Boye



It’s no secret that Brian Keene’s Dead Sea was what inspired me to write my own take on the genre, Sunrise. Presented from an African American’s point of view, we are taken to the world post-apocalypse one month after a calamity struck mankind and turned the living into flesh-hungry walkers. It was not, however, the black lead that made me want to write my novel from a gay perspective. It was the fact that Keene’s character was also gay—a thing that I had not seen before in zombie fiction.
To say that the gay perspective in horror has not been popular would be an understatement. Save for the works of Clive Barker (horror,) Christopher Rice, the homoeroticism in Anne Rice’s vampire universe and in a few choice other places, it hasn’t been widespread or, I could say, popular. In recent past, however, it is becoming more prevalent to include gay characters in fiction. Few, though, can capture the true perspective unless they themselves are gay, or at least know someone who is gay.
When I went back to the world of Sunrise in late 2010, I wanted to do one thing and one thing only—present to readers a character gay and flawed who, through chance circumstance, ends up meeting a significant other during the zombie apocalypse. Given that ten percent of the population is gay, there is always a chance that a person (or several persons) may be gay, or identity as GLBTQIA. When the world is struck with a plague that kills some eighty to ninety percent of the population, that drastically limits the chance of finding a significant other, a fact that I wanted to explore within this universe.
Our main character is Dakota Travis—eighteen, five-foot-six, grey eyes, short brown hair. At the time of the zombie apocalypse he was living in an adoption center until rescued by his friend Steve Earnest. Through chance, he and Steve end up fleeing Steve’s apartment building and meet up with the United States military. There, Dakota is introduced to a corporal named Jamie Marks. It isn’t long afterward that they confess feelings together and they begin their relationship.
It is no secret that during great times of peril people are willing to grasp onto anything they believe is pure and wholesome. During World War II, men and women would meet a week before being deployed, then get married over the weekend. Such fast movement in an intimate relationship can be seen as the result of one cause—time. When you are unsure whether or not you will live to fight another day, there is always the drive to reach for anything good in your life, whether or not that thing happens to be a relationship. It was this time constraint that presented a dilemma while writing Sunrise. How, I wondered, will I make their relationship believable? A quick search about World War II and tragedy was enough to solidify the fact that such a relationship would be likely to occur in an apocalyptic scenario, especially if two people managed to be attracted to one another.

Kody’s debut novel, Sunrise, is now available on Smashwords in eBook formats and on Amazon in paperback (with Kindle format forthcoming.) He lives and writes in the Austin, TX area and is the author of five book-length works. You can visit him online at KodyBoye.com.

Aug. 20th, 2011

Interview with Brandon Ford

Brandon Ford is a young writer with three novels under his belt and several appearances in various anthologies.  He recently released his first short story collection, Decayed Etchings, from Black Bed Sheet Books.  Brandon was nice enough to spare some time to talk with me about his new book.


MG: Up until now you have mostly been known for novels. Do you find your writing process differs for short stories?


BF: Well, obviously, there's a hell of a lot more involved in writing a novel. Lots more planning and plotting and outlining and trying to develop new ideas, while nixing bad ones. I usually have a few techniques I use when writing short stories. If I'm struck with what I think is a good idea, but can't get started on it at that time due to too many open projects, I'll jot down some notes on what I've got so far and go back to it when my desk is a little clearer. Or, I'll spend about a week bouncing the idea around in my head, trying to connect certain things and come up with that perfect title. I almost always write my first drafts longhand when it comes to a short story. I almost never type it up right away,


MG: Is there something in particular you get out of longhand that you don't get from working on a computer?


BF: Writing longhand is obviously a much slower process than typing on a computer. While writing longhand, I'm putting more thought into finding the perfect word or appropriate line of dialogue. I'm taking my time on the piece and making it as good as I can make it. Typing's good and all, but it's far too quick and I find it less cerebral. Also, I find that typing up the handwritten manuscript makes it much easier to edit.


MG: Decayed Etchings consists of previously unpublished tales. What made you decide to go that route as opposed to including some of your published tales?


BF: I plan on releasing future collections. I'll definitely include some of my previously published works in them. But since this was my very first collection, I wanted it to be all new stories no one has read before.


MG: How hard was it to select the stories that made it into the book?


BF: It wasn't that difficult. Most of them I had already ear-marked, so I purposely didn't submit them.


MG: What is the oldest story in the collection? The most recent?

BF: "Uninvited" is probably the oldest of the bunch. That story was written approximately 7-8 years ago and was meant to be an homage to Frank Henenlotter, one of my favorite cult horror filmmakers. "Sledgehammer" would have to be the most recent. That one was written probably a year ago.


MG: Let me ask you about some specific stories. I was really impressed by the surrealism of "Trippity-Do-Da" about a couple of friends out on the town while enjoying some chemical enhancement. The hallucinatory quality is superb. How did you go about crafting this story? I was just curious if you worked out exactly what would happen that night and then went back and determined how to twist and warp it.


BF: Thanks! That one was a lot of fun to write, especially the dialogue. I had a general idea of the things I wanted the characters to see prior to beginning the manuscript and during the process of scribbling, I decided how to twist and distort it. A lot of it was written on the fly. If it made me smile, I put it in the story.


MG: The fun certainly translates to the reader. Despite the darker tones of the piece, it was a pleasure to read. Without getting too specific and giving spoilers, I was very impressed by the boldness of the way you ended "Prognosis Negative." Did you ever consider ending it any other way?


BF: No, I knew there was no other way I could end that story. It's very dark--possibly one of the darkest I've ever written--and I didn't think it would be true to the piece to end it on a positive note.


MG: Was there anything at all biographical in your tale "Bookends"?


BF: Well, the idea came about when I decided to send a copy of one of my books to a writer I've always admired. Because this writer is known for doing some pretty outrageous things, I got this weird idea that he'd show up on my front door. And I started asking myself what I'd do if that ever happened.


MG: I know this is a little like asking a parent which child they love the most, but do you have a favorite story in the collection?


BF: I have a soft spot for "I'm Up Here". It just makes me smile.


MG: I think this collection can serve as a great intro to your work and hopefully lead readers to your novels as well. Final question, what do you have in store for us next?


BF: I'm working on a couple of new novels and I always have some short stories in the works. Hope to be seen in some new anthologies in the near future and have some more books out there soon!


MG: Well, good luck and I look forward to your future works. Thank you for taking the time to talk with me.


Brandon's works can all be found on Amazon: http://www.amazon.com/Brandon-Ford/e/B003ASJOWY/ref=sr_ntt_srch_lnk_1?qid=1313882797&sr=8-1

Jul. 30th, 2011

For the Love of Laymon


I have to admit, I wasn't really aware of the writer Richard Laymon until about 5 years ago.  I think I'd seen his books in the bookstores, but I didn't know much about him and had never read any of his work.  A friend of mine told me I had to check him out if I wanted some fun, quick reads.  So I picked up a few of his Leisure paperbacks and decided to give him a try.  I have to say, I rather devoured bookls like Island and the Stake, The Cellar and Beast House.  I even took to ordering some of his books not readily available in the U.S. from U.K. sellers on eBay, discovering great books like Quake.  I was officially hooked, an instant fan.

Sometimes I take a step back and examine my love of Laymon.  His books are...I often describe them as the literary equivalent of B grade horror flicks.  They are full of over-the-top violence, graphic sex, characterization is often at a minimal, and women are all victims and even the good guys think of little more than nailing babes.  The plots usually hinge on huge coincidences or characters constantly making the dumbest choices imaginable.  On paper, it seemed like I shouldn't like these books.

So what was it that drew me to Laymon's work?  Well, the answer seemed clear--it was the unadulterated sense of FUN that saturated his stories.  Yes, the books were cheesy and excessive, but Laymon was in on the joke.  He wasn't trying to write the Great American Novel, he was just trying to have some fun, to entertain himself and to entertain his readers.  It isn't a question of suspension of disbelief, it's just a matter of giving yourself over to the experience of getting swept along in the fun.  It's like a rollercoaster, even when you know the loops are coming, they still give you quite a thrill.  Pure fun, that is how I would describe the works of Richard Laymon, and that is what keeps me coming back for more. 

As a writer myself, my main goal is to entertain.  I hope my stuff has a bit of style, decent characterization, I strive for authentic dialogue--but mostly I just want to have fun with my stories and hope others have fun reading them.  May not seem the loftiest goal, but there it is just the same.  And for this, I could learn so much from Laymon's catalogue.

A few years back I decided I wanted to try my  hand at a story that was just pure unadulterated fun, something Laymon was a master at.  I figured I would make it a homage to the Master.  I decided to write a tale of a young woman having to walk home late at night through the city, and I would make her a Laymon fan so that she started to see everything and everyone as if it were all happening in a Laymon story.  I figured if I could capture even an ounce of Laymon's magic, it would be such a fun read.

Did I succeed?  Well, all I know is that I had an absoute blast writing the story, and I can only hope that translates to the reader as well.  The tale, "A Laymon Kind of Night", was written with much love, my nod to a writer who knew how to entertain like no one else.  I was lucky that Sideshow Press expressed interested in the tale, and they published it with 2 other stories--"The Snoop" and "Van People"--as a chapbook in 2009, entitled A LAYMON KIND OF NIGHT.  The book actually sold out in pre-order (mostly because it could be bought as a set with chapbooks from more established writers like Brian Knight, Kurt Newton, and Edward Lee), and I was very happy with the reception.  I don't think it came anywhere near capturing the joy and fun of a Laymon work, but it did seem to entertain people which really pleased me.

And after having been out of print for 2 years, I decided to make it available again in a digital edition on Amazon.com.  Tom Moran from Sideshow, who did an absolutely stunning for the chapbook, graciously agreed to let me use the cover for the digital edition as well.  I am hoping to get the stories out to a wider audience, and maybe if people enjoy "A Laymon Kind of Night" it will even encourage them to give Laymon's works a try if they haven't already. 

Above all else, I hope people take a chance on this and have fun.

www.amazon.com/Laymon-Kind-Night-ebook/dp/B005C1NQV2/ref=tmm_kin_title_0

Jul. 13th, 2011

The Pain of Self-Promotion


As a writer who publishes in the small press market, self-promotion is just a fact of life.  I have to take to the boards, Facebook, etc,., to try to get the word out about what I have to offer.  It is tricky, because you want to get some enthusiasm generated without becoming obnoxious.  I try to utilize other ways besides just me constantly talking up my own stuff.  I try to solicit reviews, which doesn't always work.  I try to encourage others who have read the books to comment on them, put up reader reviews.  I'm not even concerned that they be positive reviews, although that is always a plus.  As a reader, I've read negative reviews that actually peaked my interest in a work and I've decided to read the work and make my own judgment. 

It has been particularly difficult for me lately, as I have multiple projects out at once.  A digital short story collection, the digital reprint of my first book, and a print short story collection.  I know, these are the kinds of problems writers WANT to have, but it also means with multiple projects out I'm trying to promote, I could easily overstay my welcome on the various boards and Facebook.  People could get sick of hearing about me and my works, and it could actually turn people off.  I have been accused of "spamming" by a fairly well known writer before, a barb that rather hurt.

And yet I don't know how else someone on my level does it.  I got works out, I gotta take to the metaphorical streets and knock on doors and get the word out.  I can't just put out something then sit back and expect it to sell itself.  So I try to keep that balance, spreading the word without becoming obnoxious.  I hope I succeed at least part of the time.

Now for the obnoxious part, here are the links to some of my recent works.

sideshowpressonline.com/

www.amazon.com/Ghosts-in-the-Attic-ebook/dp/B0059JHU64/ref=sr_1_2

www.amazon.com/Laymon-Kind-Night-ebook/dp/B005C1NQV2/ref=sr_1_3

Feb. 20th, 2011

The Final Leg

For any of you out there who have been following this blog--is there anyone out there following this blog?--you know that I've been working on my novella "The Summer of Winters."  Progress has slowed as of late, although I have still been working on it, slowly but surely.  I have taken a few breaks to write a few nonfiction pieces and a short story, but the real reason progress has slowed is that I am nearing the end of the tale and find I'm freezing up.  It's not that I don't know where I'm going, how I want it to end, but the final leg of the journey is not as clear as I would want it to be at this point.

You see, and forgive me for vagueness but I don't want to give too much away, in order for the climax to work I have to get certain characters in certain places at a certain time, but I need for it to feel organic and believable.  I don't want the sequence to be contrived, with a feeling that the writer just moved the characters around like chess pieces just because that's where he needed them.  That will feel like a cheat to readers. 

So I have started writing at a snail's pace as I keep going over the ending in my mind, trying to figure out a way to naturally get my characters in place to set up the ending.  Sometimes when I'm writing and a part is unclear, it just comes to me while writing, but this time I'm really freezing up.  If I can get past this hurdle, I could possibly have the novella finished within the week.

So keep your fingers crossed for me folks.  Fingers, toes, eyes...anything will help. 

Feb. 18th, 2011

Brandon Ford--A Helluva Good Writer


I was lucky enough to get fellow small-press author Brandon Ford to take the time to grant me an interview.  I recently read his novel Pay Phone and was very impressed.  He is a talented young man with a distinctive fictional voice.  I expect big things from him.

MAG: What was the first piece of fiction you ever sold and to whom did you sell it?

BF: The first piece of fiction I sold was a short story entitled "Elmer's Grue." It was for ABACULUS 2007, an anthology of science fiction, fantasy, and horror. It concerned a grade school kid who is viciously tormented by a local bully. So, he requests that his closest friend--a short, fat monster by the name of Elmer--to help him exact bloody vengeance. To this day, it's the only one of my works to ever be printed in hardcover.

MAG:  Did you write many short stories before attempting your first novel?

BF: I did. I've been writing short stories since I was very young. Around 8 years old. I didn't sit down to start my first novel until I was in my early 20s.
 
MAG: Do you find short stories and novels different creatures? Or do you employ pretty much the same process for both?

BF:To me, they're different creatures. I know this because I'm in a certain mindset when I being either/or. I've never begun a short story and suddenly decided it would work better as a novel, or vice versa. With a short story, I know I have a limited number of pages/words to say everything I need to say and so I approach the project with almost a sense of urgency. With a novel, I know there's plenty of time and space to say everything and then some.  

MAG: You have three published novels--Splattered Beauty, Crystal Bay, and Pay Phone. I know it's a bit like asking a parent which child is his or her favorite, but what do you consider your strongest work?

BF: I think PAY PHONE is my strongest novel thus far. It's definitely the one I'm most proud of. I'm glad that it had the desired effect on readers. From what I understand, it shocked and unnerved a lot of people. As a horror author, what more could you possibly ask for?

MAG:Do you ever step outside the horror genre?

BF: I don't step too far outside the horror genre. I'll write the occasional suspense piece or something rooted in a dark element, but you'll never catch me writing a romance novel. At least not any time soon.

MAG: I hear your next book is a short story collection. Do you think this will show your readers your range?

BF:I certainly hope so! I think all of the stories are pretty diverse.

MAG:  Have you chosen a title for the collection? And how did you go about selecting the stories that would be included?

BF: The collection is titled DECAYED ETCHINGS. It's a title I fell in love with a long time ago. I go into detail about its origins in the book's introduction. As for selecting the stories, I chose what I thought were the best of my unpublished works. The collection will consist of 18 short stories, none of which have been printed previously. This will be the first time some of them will be read by anyone other than myself.

MAG: Do you ever abaonded projects or do you finish everything you start?

BF: I definitely try my hardest to finish everything I start. But there are times when an idea becomes stale or I simply lose interest and abandon the project altogether. I do, however, save everything so that I have it to go back to, should I change my mind down the road.

MAG: Do you let anyone read your work while it is in progress?

BF: Absolutely not! No one ever reads anything until I've at least got a first draft completed.

MAG: How important do you think a good editor is to a writer?

BF: I think a good editor is worth a lot to a writer who is only just starting out. When you're at the beginning stages of your writing career, it's difficult to discern which way is up, so having someone who is more experienced to help guide you and your work could be a tremendous help. But when you have writers who have been at it for decades, they've pretty much learned how to be their own editors by then. I'm not saying an editor is useless at this point, because a new set of eyes can vastly improve any unfinished work. I just think that an editor is more beneficial when assigned to a writer penning his or her very first works.

MAG: Are you working on a project now? If so, what can you tell us about it?

BF: There is a novel I've been working on for about four years now. I've picked it up and put it down so many times, it's ridiculous. Hoping to have it finished by the end of the year (fingers crossed). I also have a few short stories in the works, as well as a novella. I don't want to give anything away about them just yet.


I want to thank Mr. Ford for taking the time to chat with me.  I recommend you all check out his work.  You won't be disappointed.
www.amazon.com/gp/search/ref=sr_tc_2_0

Feb. 12th, 2011

Trying to Be Faithful

It's no secret to anyone who knows me that as a writer I've always been prefered the short form.  Short stories are my passion and what I have focused the majority of my time on.  However, it is a tough world out there for the short story, and publishers by and large just aren't that interested in collections from unknown authors.  This knowledge, combined with the fact that I don't want to be complacent but want to stretch myself as a writer and try things that don't necessarily come easy to me, has led me to want to persue longer works of fiction.  Which is why I have dedicated 2011 as the Year of the Novella for me.  Starting with my current project "The Summer of Winters."

And let me just tell you, that is much easier said than done.  I am more than halfway through "The Summer of Winters" and I have found it harder and harder to remain faithful to it.  When I set out to write it, I told myself "No short stories until the novella is through."  Too easy to get distracted and take my focus off of the project.

But it is rough.  Short story ideas keep assaulting me, whispering seductively in my ear to be written.  I've already had one slip, took some time off of "The Summer of Winters" to pen a short story about a strange drive-in a couple happens across called "Phoenix."  And honestly, I wanted to write another short immediately following it, but I forced myself back to the novella.

I'm making it sound like the novella is a chore, which isn't the case.  I am enjoying it, but call it short attention span or what you will, I just get antsy to explore other fictional worlds, other characters.  It's like I was built to write shorts.

But because short stories are what come naturally, what comes easily, that's one of the reasons I think it's so important to branch out and try longer pieces, get comfortable with them.  But I have to resist the temptation to put them aside everytime a flirty short story idea comes along in tight jeans, trying to get my attention.

Definitely no more shorts until "The Summer of Winters" is done, then maybe a few before staring my next novella project, "Fort", just to tide me over. 

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