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Sep. 25th, 2017

My First Bookstores

I didn’t set foot in an actual bookstore until I was in my later teens.

I grew up in a town with no bookstore and I had no real access to transportation out of that town. I fed my voracious book habit primarily through the use of the public library, sometimes picking up books from the paperback rack in the Buford Street Drug Store or at Walmart.

However, when my best friend got her license and a car, we started tooling up Highway 29 to Spartanburg, SC, on a regular basis, and there I had my first taste of Heaven.

As we entered Spartanburg on 29, one of the first things we hit was the Hillcrest Mall, an indoor mall that contained among other stores a Waldenbooks. The mall was relatively small, and the bookstore itself was fairly small, but never having been inside an actual bookstore before, it seemed massive to me, the largest collection of books I’d ever seen outside a library.

To this day, I can remember that the register was to the right when you walked in, and often there would be little standup cardboard posters for upcoming releases next to it. I vividly recall walking in one day and seeing the poster for King’s GERALD’S GAME and being absolutely beside myself with excitement. In the pre-internet age, I actually never knew when my favorite writers had a new book coming out and certainly had no clue as to titles or covers. This opened up a whole new world.

I spent countless hours in that store, buying up Stephen King and Anne Rice and Dean Koontz. Anytime I had any extra money in my pocket, I wanted to get up to the Waldenbooks and scour the shelves for books to bring home. So many of the writers I’d fallen in love with had such extensive backlogs, I really had to strategize. Dozens of Stephen King books, for instance, but I may have just enough cash for one paperback. Which would it be?

Waldenbooks wasn’t the only piece of Heaven I found at the Hillcrest Mall, however. Attached to the indoor part was a strip-mall called “Specialty Row.” One of the shops in this area was an independent bookstore called Pic-A-Book.

In some ways I loved Pic-A-Book even more than the Waldenbooks. It had more character, more atmosphere. For one, it was kind of a mess. Books just stacked everywhere to the point that I often referred to it as “the Disorganized Bookstore.” But that mess made it feel more welcoming, in a strange way I can’t quite put into words. It was fun to rummage through, looking for buried treasure. When I first started going there, the New Releases section was in no actual order, they just put the new books up on the shelves as they came in. Eventually they did alphabetize them, but not by author name. Instead, by title. An odd system, but one with a certain quirky charm.

True, Pic-A-Book didn’t discount their books like Waldenbooks, but they made up for that in having a more diverse selection. I remember wanting to purchase a biography of Clive Barker, and it wasn’t available in any chain stores, but it was proudly on a display table at Pic-A-Book. Again, before the internet, this was very important.

Eventually Spartanburg got their first Barnes & Noble, and that seemed to drive all the smaller bookstores out of business. Actually all the stores in the Hillcrest Mall started going out of business, but Waldenbooks was one of the last ones remaining before it too folded and they tore down the outdoor part of the mall, making room for a Publix and Stein Mart. Specialty Row remained, and remains to this day, and Pic-A-Book held out against B&N for many commendable years, but eventually it took closed its doors.

I was sorry to see both these places gone, because they were my first foray into the world of bookstores and they held so many great memories for me. However, those memories cannot be destroyed and they still exist inside me, meaning that in some small way those bookstores still exist as well.

Aug. 9th, 2017


When Apex Publishing expressed interest in releasing a new edition of ASYLUM, Jason Sizemore said he would like to include some original content. He had suggested perhaps an author interview or something of the sort, but I countered with the idea of an original short story set in the universe of ASYLUM. Jason liked that idea very much. All great except…

I didn’t actually have an idea.

I loved the idea of returning to that universe I’d created. I’d done it once before with a semi-sequel called FORT. I say “semi-sequel” because other than a couple of flashbacks, FORT shares no characters or settings with ASYLUM, simply takes place during the same fictional zombie apocalypse. For this new story, I wanted something that was more directly related to the novella.

So I figured I needed new characters happening across the club and going inside. But who were these new characters? Other survivors looking for shelter? What would they find inside? What would be the meat of the story?

I mulled this over for a bit, trying to nail down some specifics. I began to consider that these new characters might be young men who were members of a civilian militia of sorts, roaming the city and killing as many zombies as possible. Once I had settled on these characters and began to develop their personalities, I turned my imagination to what they would find inside the club, how the events of the novella would impact this new story. I wanted something that would come as a surprise to the new characters, but also might surprise readers of the novella. I settled on “Lunatics Running the Asylum” as the title as it seemed apropos.

Once I had all that set in my mind, I dove into the writing, going back and rereading certain sections of ASYLUM to refresh my memory on events and details. I found the experience a great deal of fun, reentering that world after all this time.

Once the story was done, I turned it into Apex, worked with them on some edits, and they set about putting together the new edition of ASYLUM. I’m beyond thrilled that the novella is getting a new lease on life, and even more thrilled to offer up this new short story to readers.

Between ASYLUM, FORT, and “Lunatics Running the Asylum”, I have had a great deal of fun exploring the traditional zombie formula with my own spin, and while I have no plans to pen any further adventures set in this universe, I wouldn’t rule it out either.

ASYLUM can be purchased here: https://www.amazon.com/Asylum-Mark-Allan-Gunnells-ebook/dp/B004GEAMOA/ref=la_B005C18L7Q_1_7?s=books&ie=UTF8&qid=1502316640&sr=1-7

Aug. 7th, 2017


I was beyond ecstatic when Apex Publishing approached me about putting out a new edition of my novella ASYLUM. The book originally came out back in 2010, and it got a good bit of attention. Sold well, reviewed well, and I think more than any of my other releases, it’s the book I’m most associated with. Seven years later, I embraced the opportunity to try to breathe some new life into it. Apex has released it with a great new cover, and even commissioned a new short story set in that universe (about which I’ll be writing a separate entry) to go along with it.

To commemorate the new edition, I thought I’d pen a little blog about how ASYLUM came to be written in the first place.

The initial germ of an idea that would eventually become ASYLUM started in college when I visited my first gay clubs. I had nothing specific in mind, but the writer in me observed the layouts of these places, filing away architectural and design details as if I knew I might use them someday.

Shortly after I had graduated from college, I began musing about all the zombie films I saw that involved small bands of survivors trying to fight not only the undead but each other and their own worst impulses. I noted at the time that these various bands of survivors rarely ever included gay characters. That struck me as interesting. Was I supposed to assume we were the first ones killed? Where were the representations of the gay community in these stories?

That train of thought combined with my cataloguing of the layouts of the few gay clubs I’d been in, and the idea was born. I was thinking Night of the Living Dead, set in a gay club instead of a farmhouse, with a cast made up almost exclusively of gay characters.

I actually began the story back then, though at the time I was calling it NIGHT OWLS. However, I got only a few pages in and abandoned it. For a period of about five years after college, I fell away from writing because of the stress of my job and personal life. Therefore, most any project I started was eventually abandoned.

Only after I switched jobs and removed some of that stress from my life did I reconnect with the writer in me, and I began churning out fiction faster than I had since college. Eventually the idea for NIGHT OWLS resurfaced and I decided to give it another shot.

After retitling the story ASYLUM (which I thought was a more appropriate title with a nice double meaning), I looked at those few pages I had started years before. In the end, all I kept of that was the first sentence, which I thought was incredibly attention-grabbing. I combined elements from two gay clubs of my youth—Scorpios in Charlotte, NC, and The Cove in Spartanburg, SC—to create the club of my story.

I wrote quite a bit, almost reaching the end, then started to lose steam. Sometimes when I’m working on a novella or novel, I start to lose objectivity and that can lead to a loss of motivation. Usually I fight through it, but in this case I actually put the novella aside for almost a year. Eventually I pulled it out and looked over it, and found that I couldn’t even remember why I had stopped. It looked good to me, and I was so near the end I took a week or so to finish it off.

I ended up with a novella I was very proud of, but had trouble finding a home for. Many publishers thought zombies had been done to death (pardon the pun), other publishers were uncomfortable with the gay content of the piece. I even considered self-publishing.

Then Apex, which had started a zombie imprint called The Zombie Feed, put out an open call for submissions. Figuring I had nothing to lose, I sent in the manuscript and they accepted it relatively quickly. We did edits, they commissioned the original cover for it, and then ASYLUM was set loose on the world.

ASYLUM can be purchased here: https://www.amazon.com/Asylum-Mark-Allan-Gunnells-ebook/dp/B004GEAMOA/ref=la_B005C18L7Q_1_5?s=books&ie=UTF8&qid=1502029709&sr=1-5

Jul. 18th, 2017


The next book I will talk about in my Origin Stories series is the collection WELCOME TO THE GRAVEYARD.

I have always been a lover of the short form. Short stories are in fact my greatest passion as a writer. When my husband Craig and I attended the South Carolina Book Festival one year, we attended a discussion panel on short fiction, and it really renewed my determination to have multiple short story collections on the market. I hadn't had one in a while so I decided I needed to do something about that.

I approached Evil Jester Press because they had published two of my novels (THE QUARRY and THE SUMMER OF WINTERS) and I had a great working relationship with my editor Pete Giglio. I wrote him an email about how much I believed in the short form, and I wanted very much to do a collection with EJP. He admitted they were a harder sell but encouraged me to submit a manuscript.

I put together what I felt was a strong and eclectic collection and sent it in. At first I was calling the collection TALES FROM THE MIDNIGHT SHIFT VOL. II as a throwback to my first collection, but that didn't feel right. However, I closed the collection with a long tale called "Welcome to the Graveyard" and that just felt very right.

I was thrilled when Pete told me they would publish it. It took a little over a year as Pete was preparing to leave Evil Jester to focus on his own writing. In fact, WELCOME TO THE GRAVEYARD was the last book he edited for the company.

The collection was released in the fall of 2014 with a gorgeous cover that Pete did himself. I was so ecstatic to have it out there, and I remain very proud of it. It is one of my more overlooked books, but I hope that people still discover it and enjoy it and will maybe consider leaving me some feedback.

WELCOME TO THE GRAVEYARD can be purchased here: https://www.amazon.com/Welcome-Graveyard-Mark-Allan-Gunnells-ebook/dp/B00O32MOBE/ref=la_B005C18L7Q_1_22?s=books&ie=UTF8&qid=1500412430&sr=1-22&refinements=p_82%3AB005C18L7Q

Jun. 17th, 2017

Origin Stories: OUTCAST

Just now getting back to this series where I detail how my books became published. Now we come to my novel OUTCAST, published as part of the JournalStone Double Down series along with John R. Little's SECRETS.

This was a rare situation in that I had promise of publication before I wrote this novel. In fact, I had promise of publication before I even had an idea for the novel.

John Little, a talented writer and gracious gentleman, had contracted with JournalStone to be part of their Double Down series, and they have him leeway to pick any writer he wanted to provide the accompanying novel. He chose me.

I was thrilled, but also quite nervous. I didn't want to let him down. John came up with this notion that we would both use the same prologue but then write different stories based on that prologue. John penned the prologue, then we went off and each wrote our stories without consulting one another. I had no idea what he was working on, nor he I.

I struggled a bit with this one, but I ended up with a novel I'm very proud of and I think works on several levels. When John let me read his tale, I was surprised and delighted to see that we went in such different directions. I was honored to have my novel OUTCAST appearing with John's novella SECRETS.

JournalStone released the book in the summer of 2014 in a limited hardcover, as well as paperback and digital editions. It received some nice reviews, and I discovered that some considered my novel YA which had not been my intent but I could see how it might fit that category. It didn't gain as much traction as I had hoped, but I feel like I delivered a solid story.

You can purchase the book here: https://www.amazon.com/Secrets-Outcast-JournalStones-DoubleDown-Book-ebook/dp/B00MY1OIWE/ref=la_B005C18L7Q_1_23?s=books&ie=UTF8&qid=1497719401&sr=1-23&refinements=p_82%3AB005C18L7Q

Mar. 26th, 2017


The next book I will talk about in this series, in which I discuss how each of my books made it into publication, is the novella LOCKED ROOM MISERY which I co-wrote with Bram Stoker winning author Benjamin Kane Ethridge.

When Benjamin and I finished the story, we immediately started talking about places to submit. We'd both worked with a lot of great publishers, but the majority of those were not open to short novellas unless they were part of a larger collection. Therefore, our options were a bit more limited.

However, I had done a lot of work with Tom Moran, who ran Sideshow Press and after that Gallow's Press. He had put out a few novellas over the years, so I thought Gallow's would be a good place to try.

Tom read the novella, enjoyed it, and agreed to publish it. He even provided the very creepy and eye-catching cover. (Tom Moran has done more covers for me than any other artist, 8 altogether: A LAYMON KIND OF NIGHT, CREATURES OF THE LIGHT, TALES FROM THE MIDNIGHT SHIFT, DARK TREATS, GHOSTS IN THE ATTIC, SEQUEL, THE HUNT, and LOCKED ROOM MISERY.)

Quite a bit of time passed between the acceptance and the eventual publication of the novella. Gallow's Press was starting to wind down, and I believe that LOCKED ROOM MISERY ended up being the very last book they ever put out.

Because of this, publicity for the book was little to nothing. The novella garnered little attention, no major reviews, and at only one Amazon review is one of my least-reviewed books. It is admittedly a strange hybrid novel, a mystery with strong horror elements and an enigmatic ending that is a bit of a brain-twister. That doesn't appeal to all readers, but I still believe there's an audience out there for what we accomplished.

The experience working with Benjamin was a great one, and as with any collaboration I've ever done, I walked away learning something from him and feeling like a better writer because of our time together.

LOCKED ROOM MISERY can be purchased here: https://www.amazon.com/Locked-Room-Misery-Benjamin-Ethridge-ebook/dp/B00L8BXD7W/ref=la_B005C18L7Q_1_39?s=books&ie=UTF8&qid=1490536028&sr=1-39&refinements=p_82%3AB005C18L7Q

Mar. 19th, 2017


My first experience with horror occurred when I was maybe six or seven years old. They were airing The Exorcist on television and I heard my mother talking about it. I’m not sure why, but I felt compelled to watch it with her. Perhaps because she spoke about it in a hushed whisper, like it was something secret and shameful and unquestionably adult. I pestered and cajoled and whined until she finally agreed to let me watch. It was edited for television, so possibly she thought anything too traumatic would be cut out, but truthfully I grew up with very little restriction on what I watched or read.

I started the film with great excitement, and I made it about as far as Linda Blair floating above her bed before I literally cowered behind the sofa. At that point my mother sent me to bed. I won’t lie, even though the film frightened me that much, I was hesitant to go to bed and pretty much had to be forced.

Why? Am I a glutton for punishment? At the time, I doubt I could have articulated my feelings, but in retrospect I think I can put some of them into words. I had watched a lot of movies already at that young age, and while I enjoyed them, they had made no lasting impression on me. They were colorful diversions that came and went but didn’t really make an impact. With The Exorcist, that movie had impact! It made an impression, one that has stayed with me all my life. That’s powerful storytelling.

After that, I specifically sought out horror films, seeking that same powerful impact. Not all horror films gave it to me. Like any genre, there is good and bad to be found. However, I was rapidly becoming a horror addict. The Exorcist initially grabbed me by the balls and made me notice the genre, but what kept me coming back?

For most of my youth, I didn’t even ask that question. I just knew I liked it and that was enough for me. As I’ve gotten older, I’ve given it a bit more thought. I’ve reached several conclusions.

First, and perhaps most obvious, horror is exciting. It gets the adrenaline pumping, it creates that delicious feeling of suspense, and it provides delightful jump scares that frighten you then leave you laughing at yourself. Even in the terror, there’s something fun in that.

Second, horror is a playground of the imagination. Literally anything is possible, there are no limits or taboos that can’t be broken. Humans, by our nature, are imaginative creatures, and horror can be a wonderful outlet for that.

Third, and perhaps most importantly for me, horror when done right is an exercise in empathy. I know, there was an article out a while back that suggested horror fans lacked empathy, but that has not been my experience at all. True horror, in my opinion, relies on empathy to work. As a watcher or a reader, I become invested in characters, grow to care about them, feel their joy and pain, put myself in their shoes…and thus when horrible things begin to happen to them, I actually feel something. It is my empathy for the characters that creates the suspense that is essential to effective horror. I wrote an essay about this very subject for Apex magazine: http://www.apex-magazine.com/how-horror-made-me-more-empathetic/

So yes, I freely and openly admit to being a horror fan. It’s not because I’m a twisted person or a masochist or that I lack empathy. I enjoy horror because I’m a person who appreciates imaginative fiction that builds suspense, and I recognize that well-done horror actually strengthens and encourages empathy for our fellow human beings.

That’s nothing to be ashamed of.

Mar. 14th, 2017

Interview with Warren Rochelle

In 1998 I started my senior year of college, and was excited to take Creative Writing with Warren Rochelle. He was a great instructor and really helped me develop my writing. He's a talented author in his own right and has published several stories and novels. His latest, The Werewolf and His Boy, is a wonderful blend of horror and fantasy with a strong love story. I talked with him about the book.

Can you tell us anything about from where the initial inspiration for THE WEREWOLF AND HIS BOY sprang?

The initial inspiration sprang from a dream my partner, Gary, had some years ago about a monster lurking in the rafters at Lowe’s, a store he was frequenting for home repairs. He described the monster as a werewolf. From that came a short story, “Lowe’s Wolf,” which was published in Icarus. And from the story, the novel. At the suggestion of my Samhain editor, Lowe’s became Larkin’s.

Did you read up on werewolf lore before starting or work at creating your own version of the mythology?

Yes, I read up on werewolf lore and mythology before starting, and I also read up on wolves as well. I did tweak the werewolf lore a little. I made Henry a nonlunar voluntary werewolf, and gave him enhanced powers of camouflage. The latter I extrapolated from the ability of wolves to be sometimes hard to see in the wild.

One of the things I loved most was how you took a traditional horror trope and wove it into what is essentially a fantasy novel. Do you enjoy that kind of blending of genres?

Yes, I do enjoy blending genres, if a story calls for it. However, this particular blending was sort of unplanned. While people were scared of Henry in his wolf-form, he really wasn’t so horrifying, except perhaps when he had to defend Jamey. I think that the lines between genres are blurred anyway, and that horror, or the horrific, in particular, seems to bleed into other genres.

How long did the novel take you to write?

I should keep better track of such things! There were three drafts, done at different times. The first one, maybe a year or so. The second draft, 6 months or so, and the same for the third.

The love story aspect of the tale is very strong and ultimately imperative to the novel’s resolution. Were you making a statement on the power of love or did that just happen organically?

I have always believed that love can be one of the most powerful forces in the universe. That said, I knew from the beginning, when I wrote the short story, that the tale was a love story. The statement about the power of love, however, did happen organically in the writing of the novel. I do believe love has the power to change, and to transform society, if not the world or the universe.

Another prevailing theme is how religion can undermine a gay person’s sense of morality and worth. Was that something you plotted out from the beginning, or did that develop as the story was written?

The novel is set in an alternate universe, one in which the Watchers have been suppressing and making knowledge as inaccessible as possible (hence the fear of computers and cell phones and how expensive such things are and so on). The Watchers have also seen fit to keep people separate and to be sure scapegoats are always available. They cultivated and promoted fear of the Other. In other words, I exaggerated what exists in this universe: the misuse of religion to reinforce such fears. So, I had this notion in the beginning but it did develop as the novel progressed into what Jamey faced in his own family and what led Henry to lead much of his childhood and adolescence in the shadows.

Is there a particular sequence or aspect of the novel that is your favorite, perhaps one that was the most fun to write?

Interesting question. I really enjoyed writing the scenes set in London and Cornwall. I also enjoyed writing the dream journeys, when the boys were learning what their powers and abilities were and the scenes when they are with Loki.

The title is a play on the Narnia book The Horse and His Boy. Are you a big C.S. Lewis fan, and can you tell me what about his writing inspires you?

The title is a deliberate homage to C.S. Lewis. I’ve been a big C.S. Lewis fan since I was in the third grade and read the Narnia series for the first time. Since then, I have studied and taught C.S. Lewis and have a more nuanced view of his work, but I still love Narnia. It made a deep and lasting impression on me; Narnia is, in many ways, still Faerie to me.

What is it about C.S. Lewis’ writing that inspires me? His use of the mythical, the religious, and how it easy was to feel at home in Narnia. That he wasn’t afraid to talk about love.

Once the first draft was complete, how did you go about finding a home for the novel? What led you to Samhain?

I wasn’t so much led to Samhain as I was sent there. I first sent the novel to Blind Eye Books. The editor returned it to me with some very specific suggestions for revisions, which I did. A free-lance editor friend also reviewed it and I worked with her to make the Blind Eye changes. When I sent it back to Blind Eye, the editor decided the novel wasn’t a good fit for Blind Eye Books and suggested Samhain, in particular, her editor there. I contacted the Samhain editor and that editor reviewed the novel and offered me a contract. She also had some very specific suggestions for revisions.

How was the editorial process? Did you have to make many changes to the story?

Fun, in a weird and intense sort of way. For me, when I am working on a story, whether the first draft or in revisions, I find myself living in the story’s world, as if I were inside a continuing dream. I think this is true for many writers. The editorial process makes this story inhabiting an intense experience. One of the biggest changes was a Blind Eye one: only 3 POVs, which meant a fair bit of rewriting. There were also a fair number of small changes, fine tuning, as it were, eliminating inconsistencies, and thus being sure I was telling the truth.

Can you tell us anything about your writing process? Do you have a dedicated writing space, certain times of the day you prefer to write, that sort of thing?

I usually write in my study at home. The room is a tad messy, but it’s comfortable. Sometimes my cat, Fred, hangs out with me. Depending on the project, I will often outline first. Before I can get any story going, I have to know where it ends. I don’t mean anything specific, other than, say, a beach. Where the beach is and how the characters get there, comes later. Henry and Jamey had to be getting ready for more adventures. I had no idea where they would be when that happened or how they might get there.

I also need a beginning that feels right and true. Once I’ve figured out the beginning and the end, I can begin. As for certain times of the day, I gave that up a while ago, as my teaching schedule changes every semester. I try to write something every day, even if that means reviewing what was previously written. Revision I do just about anywhere. A big chunk of the revisions for
Werewolf I did at my partner’s house. He earned the novel’s dedication!

As an aside, Gary shared that dedication with Doris Betts, my freshman English teacher at UNC-Chapel Hill. She, among other teachers I could list here, changed my life. I wish she had lived to see it.

Lastly, what future projects are brewing in that mind of yours? What can we look forward to from Warren Rochelle?

I just sent in a revised short story, “Feathers,” which will be out very soon on Second Hand Stories, a podcast. The story will be read out loud. That is a first for me. “Feathers” is part of an ongoing project a collection of gay-themed retellings of traditional fairy tales.

Another project is a long story or a novel that will be the sequel to my first novel,
The Wild Boy. A hundred years have passed since the Lindauzi Suicide and slowly civilization is returning, spreading out from various centers that survived the century and a half of Lindauzi control of the Earth. One such center is in what was once central North Carolina. One day, strangers from the west, arrive, with stories that can’t be true. Surely all the alien Lindauzi are dead…

And I hope a sequel to The Werewolf and Hs Boy. I already know where both of these sequels will end.

Check out Warren here: http://warrenrochelle.umwblogs.org/2017/03/13/mark-allan-gunnells-talks-about-his-new-book-the-cult-of-ocasta-march-2017/

Mar. 8th, 2017

Origin Stories: LIGHTS OUT

I’m continuing my Origin Stories series by talking about the digital collection LIGHTS OUT. This one I think is a fun little book with an interesting history.

I’ll have to start by talking about why the collection even exists. Back in 2010, Sideshow Press released a horror calendar, each month sporting a gruesome or haunting illustration from Tom Moran or Tony Karnes. I purchased the calendar and was instantly inspired, deciding to start a fun project for the year. Each month I would pen a tale based on that month’s illustration. Once I got started, I came up with a wrap-around story about boys at a summer camp, staying up past lights out to swap scary stories.

At first I was doing this for the sheer pleasure of it, no thought toward publication. However, after I wrote the first story, “The Woman on the Side of the Road,” I sent it to Tom to read and he came up with this idea of publishing the collection with all the illustrations sometime in 2011. I became excited by the prospect.

However, once the year was done and I had all twelve stories completed, the project got put on the backburner. Eventually Sideshow cut back on production, and this book was abandoned. Tom did start Gallow’s Press, but because it focused on affordable trade paperbacks and ebooks, the elaborate idea he had for LIGHTS OUT was not feasible so it seemed the collection was dead in the water.

I put it aside and didn’t think about it for a couple of years, but every so often I would go back and look through it. I thought it was a fun book unlike any of my other collections, the stories having a real urban legend, round-the-campfire sort of feel.

When I started working with Evil Jester Press, I consulted my editor there, Peter Giglio, to see if he might have any interest in the collection. He said at less than 100 pages it was too short for a publisher to mess with and suggested I add more stories to it. I considered that, but felt it would be untrue to the spirit of the book. It felt complete with the twelve stories based on the calendar illustrations, even if the illustrations weren’t included.

In early 2014 I decided that if I couldn’t find a publisher willing to publish such a short collection, I’d just do it myself. I had self-published some ebooks of older out-of-print books before, so I decided to do the same for LIGHTS OUT.

The only snag was the issue of a cover. With my previously published books, I got permission from the publisher to use the covers of the original editions, but I had nothing for this one. I decided to do something myself, crude and amateurish as it might be. I took a photo in a dark room of a lit flashlight lying on the floor and went with that. Not the most artistic, but it gets the job done.

I uploaded the file to Amazon, and there it has sat ever since. I haven’t gotten a great deal of feedback on this one, though I’d love some more. I just think more than any of my other collections, this one is just pure fun and I hope that it entertains folks.

LIGHTS OUT can be ordered here: https://www.amazon.com/Lights-Out-Mark-Allan-Gunnells-ebook/dp/B00I17EBE0/ref=la_B005C18L7Q_1_36?s=books&ie=UTF8&qid=1489017973&sr=1-36&refinements=p_82%3AB005C18L7Q

Feb. 12th, 2017


Five years ago, almost to the day, Evil Jester Press released my first published novel, THE QUARRY. It enjoyed a really lovely reception, and I got a lot of positive feedback on the novel. I also took a particular pleasure in the fact that the story was set at Limestone College, my alma mater, and the cover art even incorporated some photos I took of the campus.

I had no plans at the time to write a sequel, but it was actually my editor Peter Giglio who championed the idea, and an offhanded comment he made about the connection between two characters sparked the idea for a continuation.

And now, five years later, Evil Jester Press has released my follow-up to THE QUARRY, my newest novel entitled THE CULT OF OCASTA: THE FINAL LIMESTONE STORY.

This book was a long time coming. I originally started it very shortly after the release of THE QUARRY, but I had to put it aside when I contracted to deliver a novel to JournalStone. Once that novel was done, my attention was taken by a few other projects, until finally I looked back over what I had written on THE CULT OF OCASTA and my passion for the story was reignited and I dove headfirst into it.

The writing took a little longer than I expected. Not because I struggled or put it aside for chunks of time. I wrote on the novel consistently, but it just turned out to be a longer project than I had anticipated. It is far from a Stephen King sized tome, but it is to date my longest novel.

Once it was completed, I turned it in to Charles Day over at Evil Jester and was thrilled when he agreed to publish it. Peter was no longer working for them, having decided to focus on his own writing, but Briana Onishea edited this one, and Jim Kavanaugh did a stunning cover that recreates in wonderful detail one of the Limestone buildings.

I'm beyond ecstatic to finally have this book out. I think it's some of my finest work, and a novel I'm incredibly proud of. I hope that people enjoy it, and I look forward to getting some feedback on it.

THE CULT OF OCASTA can be purchased here: https://www.amazon.com/dp/B06W2JCVYJ/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1486942262&sr=1-1&keywords=cult+of+ocasta
THE QUARRY can be purchased here: https://www.amazon.com/Quarry-Mark-Allan-Gunnells-ebook/dp/B0073PMCY2/ref=sr_1_1?s=books&ie=UTF8&qid=1486943208&sr=1-1&keywords=quarry+mark+gunnells

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